Press Information
FRANCISO TOLEDO | Recent Paintings
October 16 - December 10, 2004
Francisco Toledo is widely regarded as Mexico's most important living artist.
His work is characterized by a ferocious eroticism and union of the human and
animal world. Despite Toledo's exceptional stature as an artist, he has shunned
self-promotion, making it difficult for all but the most motivated collectors
and curators to see his work.
In August of 2001, Toledo arrived in Los Angeles with the intention of painting
for one year. Despite the turmoil of the post September 11th world, including
heightened racism within the United States , Toledo stayed in Los Angeles and
created a body of work which forms the basis of the current exhibition.
"FRANCISCO TOLEDO | Recent Paintings" is the artist's first one-man show of new
paintings in over a decade. As such, it presents a rare opportunity for the art
viewing public.
One of the most dramatic of Toledo's new paintings is Bat Ikat. This work shows
a bat in mid-air, flying through a brilliant red ground, which suggests both the
intricate patterns of traditional Asian textiles and the flames of a raging
fire. Painted in the months after 9/11, Bat Ikat evokes a vision of catastrophe,
at once contemporary and primordial.
In a remarkable group of five recent works, Toledo brushes oil and encaustic
onto wood panels treated with gesso, a plaster-like material. He then carves
into the painting's surface, "releasing" the luminous under-layer of gesso. The
resulting incised lines, at once delicate and aggressive, suggest both a
wounding and a suturing together of the work's surface. Some of these, such as
Murcielago Enojado, and Peces y Camarones, are among the finest achievements of
the artist's career.
Toledo continually challenges himself to find new means of expression. In the
past, he has used sand as a textural device in his oil paintings. In the new
work, he rejects the use of sand, in favor of a surface minimally painted with
thin, delicate washes of pigment. The resulting paintings have a subtle,
watercolor-like transparency. Works such as Tortuga Con Lluvia de Huevos and
Cangrejo Viejo exemplify this understated approach.
Francisco Toledo first exhibited at the Musée d'Art Moderne, Paris, at the age of
21. He has exhibited in many of the world's leading museums, including the
Schirn Kunsthalle, Frankfurt; Centre Georges Pompidou, Musée National d'Art
Moderne, Paris; and the Museum of Modern Art, New York. In the year 2000, Toledo
received retrospectives at the Whitechapel Art Gallery, London, and the Museo
Nacional Centro de Arte Reina Sofia, Madrid.
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